Category Archives: Istanbul

Şişli Tour, July 2018

When I lived in Ankara, I tried to build up a collection of photographs about life in different cities. I was exercised by the Ankara mayor’s utter disrespect for pedestrians, as shown for example in his narrowing of sidewalks (by widening roads) so that bus shelters would have to block them, and the sidewalks themselves might disappear into the walls surrounding the adjacent embassies. I took photographs of such situations and started putting them on my webpages (I didn’t have this blog then). I looked for similar situations when we visited Europe. Such visits were usually for conferences, and I prepared webpages about Barcelona, Besançon, Berne, and Istanbul.

   

Continue reading

Samatya Tour, July 2018

This is about a solo walking tour on Sunday, July 1, 2018. I was mostly around the Seventh Hill of the old walled city of Constantinople, ultimately in the quarter called Ψαμάθεια in Greek, and in Turkish Samatya.

Continue reading

War and Talk

This is a foray into the mystery of how things happen, based the 164th of the 361 chapters of War and Peace. This chapter contains, in a one-sentence paragraph, a summary of Tolstoy’s theory of history:

Each man lives for himself, using his freedom to attain his personal aims, and feels with his whole being that he can now do or abstain from doing this or that action; but as soon as he has done it, that action performed at a certain moment in time becomes irrevocable and belongs to history, in which it has not a free but a predestined significance.

Continue reading

36th Istanbul Film Festival, 2017

This is about seeing six films in the Istanbul Film Festival, which began this year (2017) on Wednesday, April 5.

Kazimer Malevich, Suprematist Composition: White on White, 1918 (MoMA)

Continue reading

The Hands of an Angry Deity

I first drafted the following essay in late October, 2011, a few days after the first of the earthquakes in Van, and a few weeks after moving to Istanbul from Ankara. I rediscovered the essay recently by chance. It seems worth revisiting, given the political upheaval in the United States last fall, and the potential for more around the world.

Above Mehmetçik Caddesi in Şişli, one of the most densely populated of Istanbul’s 39 boroughs; 2017.04.02

Continue reading

Victor Vasarely

Tophane-i Amire
Tophane-i Amire, 2017.03.25

Last week I wrote about the Turkish Impressionist Feyhaman Duran, born in 1886. Now my subject is the Hungarian-French Op Artist born twenty years later as Győző Vásárhelyi. His “Rétrospective en Turquie” is at the Tophane-i Amire Culture and Art Center in an Ottoman cannon foundry.

Vasarely show Continue reading

Feyhaman Duran

Born on the Asian side of Istanbul in Kadıköy in 1886, İbrahim Feyhaman was orphaned nine years later. His father had been a poet and calligrapher. His mother’s dying wish was that Feyhaman attend the Lycée Impérial Ottoman de Galata-Sérai; his maternal grandfather, Duran Çavuş, saw that this happened. Some time after graduation, headmaster Tevfik Fikret had Feyhaman come back to Galatasaray to teach calligraphy.


Garden of Aşiyan, September 10, 2015

Continue reading

Freedom to Listen

“It’s a free country, so shut up!”

On Thursday, February 16 of this year (2017), at Bosphorus University, a talk on the subject of freedom of speech was given by a Guardian columnist who was a history professor at Oxford. This was Timothy Garton Ash, who observed that freedom of speech and of the press had been severely curtailed in Turkey. For a defender of the regime, the accusation might be belied by the speaker’s freedom to make it. Academics can still come from abroad and give their critical talks. However, as Professor Garton Ash detailed, many Turkish academics have been fired from their positions; many journalists have been imprisoned; other journalists cannot get their articles published. Continue reading

NL XIII: “Choice”

Index to this series

Adolph Gottlieb, “Centrifugal,” gouache on paperboard, 1961 (National Gallery of Art, Washington; gift of the Woodward Foundation)

Adolph Gottlieb, “Centrifugal,” 1961 (National Gallery of Art, Washington; gift of the Woodward Foundation)

The key idea of Chapter XIII of New Leviathan is the correct statement of the “problem of free will”: Continue reading

NL X: “Passion”

Index to this series

Passion is literally the correlate of action, as suffering is the correlate of doing. In the ordinary, vulgar sense, passion is our response to what we suffer. This is how we shall understand it.

Sagrada Familia, west front, November, 2008

Sagrada Familia, Passion Façade, November, 2008

Continue reading