Tag Archives: Freud

Mind (Iliad Book XVII)

At the end of Book XVI of the Iliad, Hector

  • pulled his spear from the body of Patroclus,
  • took off in pursuit of Automedon, his victim’s charioteer, who was being drawn by Achilles’s immortal horses.

Around the mossy trunk of a plane tree, four chickens—two white, one brown, one black—scratch in the little dirt that has been left uncovered by the setts that pave a road through a settlement
Postacı Halil Sokağı (Street of Halil the Postman)
Tarabya (Θεραπειά), Sarıyer, Istanbul
Thursday morning, March 2, 2023

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Automatia

One day during the Trojan War, Apollo and Athena decide to give the combatants a break. The general conflict is to be replaced with a one-on-one. The Olympians induce Helenus to tell his brother Hector to take on whichever of the Greeks is up for it.

Only Menelaus will accept the challenge at first. His brother Agamemnon makes him withdraw. When none of the other Greeks comes forward, Nestor chides them. After a story of his former prowess, he utters the words that Chapman renders as two couplets:

O that my youth were now as fresh, and all my powers as sound;
Soone should bold Hector be impugn’d: yet you that most are crownd
With fortitude, of all our hoast; euen you, me thinkes are slow,
Not free, and set on fire with lust, t’encounter such a foe.

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NL XI: “Desire”

Index to this series

The four parts of Collingwood’s New Leviathan (1942) are Man, Society, Civilization, and Barbarism. From the first part, we are considering Chapter XI, “Desire.”

Pablo Picasso, The Lovers (1923; National Gallery of Art, Washington)
Pablo Picasso, “The Lovers,” 1923
National Gallery of Art, Washington

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