Category Archives: Film

We the Pears of the Wild Coyote Tree

This is a preliminary report on two recent films:

  • The Wild Pear Tree, by Nuri Bilge Ceylan;
  • We the Coyotes, by Marco La Via and Hanna Ladoul.

The report is preliminary, not because there is going to be another, but because I have seen each film only once, and I may see one of them again. I remember that François Truffaut liked to see films at least twice. I would guess that I read this in The Washington Post, in an appreciation published when Truffaut died; however, he died on October 21, 1984, during the first semester of my sophomore year in Santa Fe, when I would not have been reading the Post. While in college, I did enjoy seeing some films twice, or a second time; Truffaut’s own 400 Coups was an example, a French teacher having shown it to us in high school.

The two films that I am reviewing concern young adults trying to find their own way in the world, in defiance of their elders. We all have to do this. In every generation, some will do it more defiantly than others. Heraclitus can be defiant, he of Ephesus and thus one of the Ionian philosophers, whose spirit I imagine to haunt the Nesin Mathematics Village. A further reason to bring up Heraclitus will be—gold.

Eva Brann, The Logos of Heraclitus, on Marmara Island, July, 2012

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36th Istanbul Film Festival, 2017

This is about seeing six films in the Istanbul Film Festival, which began this year (2017) on Wednesday, April 5.

Kazimer Malevich, Suprematist Composition: White on White, 1918 (MoMA)

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35th Istanbul Film Festival, 2016, part 3

Part 1 | Part 2

Between the composing of parts 1 and 2 of this account came the death of Prince, whose work had inspired Rain the Color of Blue with a Little Red in It. Between the composing of parts 2 and 3 came the release of the four Turkish peace activists, whose imprisonment had given poignancy to The Demons and The Music of Strangers. There is a certain absurdity associated with each event.

Photo of book, Shakyamuni Buddha

Nikkyô Niwano, Shakyamuni Buddha: A Narrative Biography (Tokyo: Kôsei Publishing Co., 1980; fifth printing, 1989)

On the cover, a modern copy by Ryûsen Miyahara, owned by Risshô Kôsei-kai, of The Nirvana of the Buddha, painted in 1086 and owned by temple Kongôbu-ji, Wakayama Prefecture, Japan


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35th Istanbul Film Festival, 2016, part 2

Part 1

Book cover: Deer Hunting With Jesus

The Demons

Philippe Lesage. Canada. French. Fitaş 4, Monday, 16:00

Ayşe was teaching, but I was free to see a movie. The İstiklâl cinemas were twenty minutes by foot from our urban campus, or one subway stop, if you preferred. Our flat was one stop in the other direction. There was a festival cinema in Ortaköy, and another over on the Asian side; but without even considering these (which I have never visited), I had a Canadian, a Mexican, a Polish, and a Turkish film to choose from. I studied them on the festival website, though not too intently. You are not likely to go wrong with any festival film. Moreover, the catalogue synopses do not always provide an accurate sense. I chose the Canadian movie out of interest in this country that is both American and not. It is also where Ayşe and I met. Continue reading

35th Istanbul Film Festival, 2016

I set out here to write about nine movies. I found I had so much to say that I have covered only three movies so far. I hope to write about the rest in later articles.

Photo of books referred to in this article

In the summer of 1994, I was a graduate student at the University of Maryland, and I had lived in the state since 1989. My roommate in a suburban apartment complex was finishing her own degree and moving away. I decided to move across the border into the city of Washington, where I had already become involved in some bicycle activism. I found a congenial vegetarian group house. I would bicycle the nine miles to the College Park campus. But moving to the city raised a moral question: should I really give up my political right to a meaningful vote? Continue reading