Category Archives: Persons

Be Sex Binary, We Are Not

Content warning: suicide.

The following sentence is bold in the last paragraph of an essay: “the science is clear and conclusive: sex is not binary, transgender people are real.” I don’t know what the writer means by this. As far as I can tell, as a biological concept used for explaining reproduction, sex has two kinds or parts or sides or aspects, and the essay tacitly affirms this; at the same time, obviously persons called transgender exist.

☾ ♂ ☿ ♃ ♀ ♄ ☉

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Return to Narnia

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My subject is the Chronicles of Narnia of C. S. Lewis (1898–1963). I consider this heptad of books (published 1950–6) as constituting (1) literature (2) for children (3) that I enjoyed in my first decade and continue to enjoy in my sixth.

  1. By literature, I mean a work of art whose medium is prose. Prose may also be a work of craft, intended to fulfil some purpose. This purpose could be to serve a market for fantasy or children’s books. Art as such has no purpose that can be specified in advance.

  2. Writing for children may take certain liberties that annoy adults.

  3. As with any post in this blog, I write out of my own personal interest. As a child, I read other fantasies, such as those of Lloyd Alexander, John Christopher, Ursula LeGuin, and J.R.R. Tolkien. Only the works of C. S. Lewis have stayed with me. This essay may be considered as an exploration of why, or least an example of how.

The seven books of the Chronicles of Narnia, Collier edition
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Thoreau and Anacreon

Gray clouds over blue sky over white clouds over buildings

At the beginning of Walden, the author says he wrote its pages, “or rather the bulk of them,” in the isolated house he had built by the pond of that name. He lived there, 1845–7. He wrote there also A Week on the Concord and Merrimack Rivers. He had spent the week of the title with his brother, who died of tetanus in January, 1842. Writes Laura Dassow Walls,

Into the narrative of his 1839 river trip with John, Henry had woven everything he ever felt, thought, and experienced …

This in Henry David Thoreau: A Life (University of Chicago Press, 2017). Weaving is Thoreau’s metaphor, used in Walden in a consideration of what is worth doing in life.

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Donne’s Undertaking

I was recently called on to recommend a poem. I chose “The Undertaking” of John Donne. I want to say here why.

  • The poem (quoted below) has a sound that impressed me when first I read it, more than thirty years ago.

  • The poem alludes to ideals:

    • of recognizing what is good for its own sake;

    • of climbing a rung or two on Diotima’s ladder or stairway of love, recounted by Socrates in Plato’s Symposium (211c):

      And the true order of going, or being led by another, to the things of love (τὰ ἐρωτικά), is to begin from the beauties of earth and mount upwards for the sake of that other beauty, using these as steps (οἳ ἐπαναβαθμοί) only, and from one going on to two, and from two to all fair forms (τὰ καλὰ σώματα), and from fair forms to fair practices (τὰ καλὰ ἐπιτηδεύματα), and from fair practices to fair notions (τὰ καλὰ μαθήματα), until from fair notions he arrives at the notion of absolute beauty, and at last knows what the essence of beauty is (ὃ ἔστι καλόν).

  • The sound of Donne’s poem may seduce one into thinking the ideals worthy.

Analytic Geometry and Donne's complete poetry

Two books that were my mother’s

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Mood

Executive summary. The English grammatical moods—indicative, imperative, subjunctive—were not understood till the nineteenth century, according to an 1882 doctoral dissertation, On the Use of the Subjunctive Mood in Anglo-Saxon. Considering illustrative passages that happen to be from Plato, Alfred Douglas, Evelyn Waugh, and especially John Donne; looking ultimately at John McWhorter’s 2015 essay, “English is not normal”; I review the subjunctive mood, grammar in general, and my own lack of understanding till I was in college.

Copyright page and table of contents, side by side, of Concise Oxford Dictionary Continue reading

Doing and Suffering

Edited March 30, 2020

To do injustice is worse than to suffer it. Socrates proves this to Polus and Callicles in the dialogue of Plato called the Gorgias.

I wish to review the proofs, because I think they are correct, and their result is worth knowing.

Loeb Plato III cover

Or is the result already clear to everybody?

Whom would you rather be: a Muslim in India, under attack by a Hindu mob, or a member of that mob?

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Evolution of Reality

I enjoy and recommend Robert Wright’s Nonzero Newsletter, which presents thought on both American politics and thought itself.

Tiny green plants on red tile roof, cloudy day

In a 2017 post of this blog, I quoted Wright’s 1988 article in The Atlantic Monthly about Edward Fredkin. Somewhat differently from Fredkin, I spelled out my title, “What Philosophy Is,” without actually being a professional philosopher. I touched on a theme that I shall take up now: that thinkers today could benefit from knowing the thought of R. G. Collingwood.

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On the Odyssey, Book I

  • In reading his rendition of the Iliad, having enjoyed hearing Chapman speak out loud and bold;

  • having enjoyed writing here about each book, particularly the last ten books in ten days on an Aegean beach in September of this year (2019);

  • having taken the name of this blog from the first line of the Odyssey;

  • having obtained, from Homer Books here in Istanbul, Emily Wilson’s recent translation (New York: Norton, 2018);

  • Book on table, Wilson's Odyssey Continue reading

Computer Recovery

I record here how I fixed my computer, because

  • I am pleased to have been able to do it, and

  • I may have to do it again.

Briefly, when Windows on my laptop failed, I installed Ubuntu, but this failed. Somebody else installed Ubuntu again, and this worked for a while before failing. I managed to fix that problem for myself; but later an upgrade failed. Now I have fixed that.

Computer on table by window at dawn

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On the Idea of History

Our environment may influence our feelings, but what we make of those feelings is up to us. Thus we are free; we are not constrained by some fixed “human nature”—or if we are, who is to say what its limits are?


Rembrandt van Rijn (and Workshop?), Dutch, 1606-1669,
The Apostle Paul, c. 1657, oil on canvas,
Widener Collection, National Gallery of Art

Insofar as we humans have come to recognize our freedom, we have done so after thinking that what we did depended on our class—our kind, our sort, even our “race.” We might distinguish three stages of thought about ourselves.

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