Category Archives: Art

The Asıl of the Iliad

Etymologically speaking, the asıl of a thing is its root. The Arabic root of the Turkish word means bitki kökü, “vegetable root,” according to Sevan Nişanyan’s Turkish etymological dictionary.

In the Iliad, why is Achilles so affronted by Agamemnon as to refuse to help the Greeks, even as their attack on Troy is becoming a defensive war, at the wall that they have erected about their own ships? If the answer is to be found through study, then Book IX of the Iliad is what to study.

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Automatia

One day during the Trojan War, Apollo and Athena decide to give the combatants a break. The general conflict is to be replaced with a one-on-one. The Olympians induce Helenus to tell his brother Hector to take on whichever of the Greeks is up for it.

Only Menelaus will accept the challenge at first. His brother Agamemnon makes him withdraw. When none of the other Greeks comes forward, Nestor chides them. After a story of his former prowess, he utters the words that Chapman renders as two couplets:

O that my youth were now as fresh, and all my powers as sound;
Soone should bold Hector be impugn’d: yet you that most are crownd
With fortitude, of all our hoast; euen you, me thinkes are slow,
Not free, and set on fire with lust, t’encounter such a foe.

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Articles on Collingwood

This article gathers, and in some cases quotes and examines, popular articles about R. G. Collingwood (1889–1943).

  • By articles, I mean not blog posts like mine and others’, but essays by professionals in publications that have editors.

  • By popular, I mean written not for other professionals, but for the laity.

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Map of Art

The bulk of this post is a summary of the chapter on art in Collingwood’s Speculum Mentis: or The Map of Knowledge (1924). The motto of the book is the first clause of I Corinthians 13:12:

Βλέπομεν γὰρ ἄρτι δι’ ἐσόπτρου ἐν αἰνίγματι

For now we see through a glass, darkly

The chapter “Art” has eight sections:

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Discrete Logarithms

In the fall of 2017, I created what I propose to consider as being both art and mathematics. Call the art conceptual; the mathematics, expository; here it is, as a booklet of 88 pages, size A5, in pdf format.

More precisely, the work to be considered as both art and mathematics is the middle of the three chapters that make up the booklet. The first chapter is an essay on art, ultimately considering some examples that inspire my own. The last chapter establishes the principle whereby the lists of numbers in Chapter 2 are created.

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Poetry and Mathematics

This reviews some reading and thinking of recent weeks, pertaining more or less to the title subjects, of which it may be worth noting that

  • poetry is from ποιέω “make”;

  • mathematics is from μανθάνω “learn.”

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Return to Narnia

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My subject is the Chronicles of Narnia of C. S. Lewis (1898–1963). I consider this heptad of books (published 1950–6) as constituting (1) literature (2) for children (3) that I enjoyed in my first decade and continue to enjoy in my sixth.

  1. By literature, I mean a work of art whose medium is prose. Prose may also be a work of craft, intended to fulfil some purpose. This purpose could be to serve a market for fantasy or children’s books. Art as such has no purpose that can be specified in advance.

  2. Writing for children may take certain liberties that annoy adults.

  3. As with any post in this blog, I write out of my own personal interest. As a child, I read other fantasies, such as those of Lloyd Alexander, John Christopher, Ursula LeGuin, and J.R.R. Tolkien. Only the works of C. S. Lewis have stayed with me. This essay may be considered as an exploration of why, or least an example of how.

The seven books of the Chronicles of Narnia, Collier edition
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Thoreau and Anacreon

Gray clouds over blue sky over white clouds over buildings

At the beginning of Walden, the author says he wrote its pages, “or rather the bulk of them,” in the isolated house he had built by the pond of that name. He lived there, 1845–7. He wrote there also A Week on the Concord and Merrimack Rivers. He had spent the week of the title with his brother, who died of tetanus in January, 1842. Writes Laura Dassow Walls,

Into the narrative of his 1839 river trip with John, Henry had woven everything he ever felt, thought, and experienced …

This in Henry David Thoreau: A Life (University of Chicago Press, 2017). Weaving is Thoreau’s metaphor, used in Walden in a consideration of what is worth doing in life.

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Reading shallow and deep

Executive summary (added July 28, 2020): I read an article praising so-called deep reading, one of whose exponents is Henry Kissinger. The world is apparently being corrupted by people who do not read deeply; and this includes ourselves, if we allow ourselves to be distracted by social media. I myself find the article corrupted by references to neuroscience, and I am sorry that the writer, Adam Garfinkle, does not tell us about his own experience of reading. His article comes recommended by George Will, whose tenure at the Washington Post can be blamed on my grandfather. I reminisce about him and about my own deep or at least long reading, in college and more recently. I take a hedonistic view of this reading.

Seeing a tweet condemning the superficiality of Twitter, I could not pass up the challenge. I read the linked essay, “What we lost when we stopped reading” (The Washington Post, April 17, 2020). That was by George Will, summarizing and recommending a longer essay, by Adam Garfinkle, “The Erosion of Deep Literacy” (National Affairs, number 43, spring 2020). I read that, yesterday evening and this morning (April 21, 2020).

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Donne’s Undertaking

I was recently called on to recommend a poem. I chose “The Undertaking” of John Donne. I want to say here why.

  • The poem (quoted below) has a sound that impressed me when first I read it, more than thirty years ago.

  • The poem alludes to ideals:

    • of recognizing what is good for its own sake;

    • of climbing a rung or two on Diotima’s ladder or stairway of love, recounted by Socrates in Plato’s Symposium (211c):

      And the true order of going, or being led by another, to the things of love (τὰ ἐρωτικά), is to begin from the beauties of earth and mount upwards for the sake of that other beauty, using these as steps (οἳ ἐπαναβαθμοί) only, and from one going on to two, and from two to all fair forms (τὰ καλὰ σώματα), and from fair forms to fair practices (τὰ καλὰ ἐπιτηδεύματα), and from fair practices to fair notions (τὰ καλὰ μαθήματα), until from fair notions he arrives at the notion of absolute beauty, and at last knows what the essence of beauty is (ὃ ἔστι καλόν).

  • The sound of Donne’s poem may seduce one into thinking the ideals worthy.

Analytic Geometry and Donne's complete poetry

Two books that were my mother’s

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