Born on the Asian side of Istanbul in Kadıköy in 1886, İbrahim Feyhaman was orphaned nine years later. His father had been a poet and calligrapher. His mother’s dying wish was that Feyhaman attend the Lycée Impérial Ottoman de Galata-Sérai; his maternal grandfather, Duran Çavuş, saw that this happened. Some time after graduation, headmaster Tevfik Fikret had Feyhaman come back to Galatasaray to teach calligraphy.
Garden of Aşiyan, September 10, 2015
On the left, Vincent van Gogh, Mousmé
, 1888, National Gallery of Art, Washington. On the right, Stephen Chambers, Woman (Green Background)
, 2006, private collection, London; currently on display at the Pera Museum, Istanbul, where I saw it on Saturday, June 21, 2014, and made the (slightly tilted) photograph on the right below.
The van Gogh image, I downloaded from the National Gallery website. I cropped and resized the Chambers image to be the same height as the van Gogh; then I juxtaposed the two with convert +append van-gogh-la-mousme.jpg chambers-woman.jpg two-women.jpg
I did not know of the artist Stephen Chambers before. The green background of his Woman, and her expression, caused me to think of van Gogh’s Mousmé. The Mousmé’s head is round, but her dotted skirt is as flat as the blouse of the Woman.
Polytropy 