Tag Archives: pappus

Reason in Pascal

In some of the Pensées, Pascal contrasts reason with instinct, passions, folly, the senses, and imagination.

Here I investigate Pascal’s raison, after one session of an ongoing discussion of the Pensées that is being carried out on Zoom.

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Math, Maugham, and Man

Note added, August 28, 2023. The main purpose of this post of September 1, 2019, seems to have been to assemble some information about the etymologies of “man” and “woman,” because of ongoing controversy about what the words even mean today. I started to take up the controversy itself on December 30 of that year, in “Sex and Gender.” Meanwhile, this post suggests, or points out:

  • a generic “person” may still be male in people’s minds;
  • becoming a woman may be like becoming Jewish;
  • there are no gendered pronouns in Turkish;
  • the series freshman, sophomore, junior, senior is like pinkie, ring finger, middle finger;
  • Greek does not have such an interesting series for the fingers;
  • Greek mathematics includes Thales’s Theorem and Pappus’s Hexagon Theorem.

There does not seem to be any connection between the mathematics and the etymology here, except that I was studying both at the same time. I must have been reading The Razor’s Edge too, where Maugham

  • places himself in a tradition founded by Herodotus;
  • uses “he/him” for for somebody who can be a woman as well as a man.

More themes I took up:

  • what it means to be natural;
  • that I don’t consider myself ADHD;
  • the etymology of “squirrel”;
  • the Etymological Fallacy.

A dog lying in the shade of a beach umbrella looks at us; behind him are a woman and a man sitting facing away from us, towards the sea
Woman, man, and dog
Friday, August 18, 2023
Altınova, Balıkesir, Türkiye

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Victor Vasarely

Tophane-i Amire
Tophane-i Amire, 2017.03.25

Last week I wrote about the Turkish Impressionist Feyhaman Duran, born in 1886. Now my subject is the Hungarian-French Op Artist born twenty years later as Győző Vásárhelyi. His “Rétrospective en Turquie” is at the Tophane-i Amire Culture and Art Center in an Ottoman cannon foundry.

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Thinking & Feeling

This essay is written as a distraction from current events, though I make some reference to them. I am prompted by questions of analogy provoked by

  1. the similes of Homer and
  2. a recent theater review in Harper’s that mentions the parables of Jesus.

With sea in the background, on the sand of a beach sits Chapman’s Homer: The Iliad, the cover featuring a 16th-century Flemish tapestry (framed by a circle), Scene from Roman History, showing a number of men, the one in the middle armored; a horse is in the foreground

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NL I: “Body and Mind”

Index to this series. See also a later, shorter article on this chapter

The Chapter in Isolation

“Body and Mind” is the opening chapter of Collingwood’s New Leviathan. The chapter is a fine work of rhetoric that could stand on its own, though it invites further reading. In these respects it resembles the first of the ten traditional books of Plato’s Republic, or even the first of the thirteen books of Euclid’s Elements. The analogy with Euclid becomes a bit tighter when we consider that each chapter of The New Leviathan is divided into short paragraphs, which are numbered sequentially for ease of reference.

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