Category Archives: Art

Ahtamar Island

During a mathematics conference, I visit the ruins of a monastery on a remote island in an inland sea. This moves me to consider the relation between introversion and, if not mathematics, then monasticism. On the origins of Christian monasticism, I look at several sources, notably Gibbon (see the References); also Maugham, who writes of a hermit on an island of the Torres Strait. Since the monastery on the island was Armenian, in what is now Turkey, one should consider also the treatment of minority populations here. I only acknowledge the issue, suggesting Wikipedia pages (linked to presently) as a starting point for research. On this subject, old books on my shelves are not much help; my own experience is not much more help, at least not in a way that lends itself to being written of here. I do know that Turkish politicians will treat imputations of their own Armenian ancestry as an insult.


We visited Ahtamar Island for a second time on Wednesday, August 23, 2017. Thus we saw again the remains of the Church of the Holy Cross. This Armenian church was consecrated in 921 and presumably desecrated in 1915, if not earlier; now, since our last visit, though officially a museum, the church would seem to have been reconsecrated, to judge by the new altarpiece, featuring an icon of the Madonna and Child.

Madonna and child
Altarpiece, Church of the Holy Cross, Ahtamar Island

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Hypomnesis

When is a help a hindrance? The Muses have provoked this question. They did this through their agents, the cicadas, who sang around the European Cultural Center of Delphi, during the 11th Panhellenic Logic Symposium, July 12–5, 2017.

     Cicada, European Cultural Center of Delphi, 2017.07.15     

Cicada, European Cultural Center of Delphi, 2017.07.15

My question has two particular instances.

  1. At a mathematical conference, can theorems “speak for themselves,” or should their presenters be at pains to help the listener appreciate the results?

  2. When the conference is in Greece, even at one of the country’s greatest archeological sites, does this enhance the reading of ancient Greek texts, or is it only a distraction?

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War and Talk

This is a foray into the mystery of how things happen, based the 164th of the 361 chapters of War and Peace. This chapter contains, in a one-sentence paragraph, a summary of Tolstoy’s theory of history:

Each man lives for himself, using his freedom to attain his personal aims, and feels with his whole being that he can now do or abstain from doing this or that action; but as soon as he has done it, that action performed at a certain moment in time becomes irrevocable and belongs to history, in which it has not a free but a predestined significance.

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On Chapman’s Homer’s Iliad, Book III

Index | Text

The Iliad is about the feud between Achilles and Agamemnon, a feud that occurs during the Trojan War. Book III of the Iliad has nothing to do with Achilles, a little to do with Agamemnon, and everything to do with why the whole war is happening at all.

Note added August 19, 2024: The war is happening because Paris is God’s gift to women. By his own account, he is excellent in the “gifts of peace,” and these are “as little to be scorn’d, / As to be wonne with strength, wealth, state …” It is good to recognize that some things cannot be obtained by “strength” or force. Achilles recognizes this in Book I when he refrains from killing Agamemnon. However, Paris scorns not only strength, but also wealth and state. I suppose it is “state” that lets Hector and Agamemnon come to an agreement about a duel between Paris and Menelaus that will end the war. Paris breaks the agreement by running away to visit the prize of his excellence, namely Helen. Homer has Venus spirit Paris away, but I take this to be a poetic embellishment, agreeing with Eva Brann in Homeric Moments: Clues to Delight in Reading the Odyssey and the Iliad (Paul Dry Books, 2002; pages 41–3):

But the gods’ face-off effects nothing; at least nothing happens that could not happen without them. And so it is always; Zeus himself disclaims responsibility for human fate right at the beginning of the Odyssey


To be sure, as I said above, nothing is ever done that could not have been done by the humans themselves …

Photo of the tower of books used for this article

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The Private, Unskilled One

I went into Istanbul’s Pandora Bookshop a month ago, looking for an English translation of War and Peace, since the Garnett translation I had read at college was falling apart. I was told the Oxford World’s Classics edition (with the Maude translation) was coming the next week, and it did come.

Elif Batuman, The Idiot, in Nesin Matematik Köyü, Kayser Dağı Mevkii, Şirince, Selçuk, İzmir, Turkey, 2017.05.18

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On Chapman’s Homer’s Iliad, Book II

Index | Text

Even gods must sleep; but under the weight of his responsibility to Thetis, Zeus cannot. As Achilles pointed out in Book I, “dreams are often sent from Jove”; now we shall have a case in point (Chapman’s lines 4–7).

… Al waies cast; this coūsel seru’d his mind
With most allowance: to dispatch, a harmefull dreame to greet
The king of men; and gaue this charge: Go, to the Achiue fleet,
(Pernicious dreame) …

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36th Istanbul Film Festival, 2017

This is about seeing six films in the Istanbul Film Festival, which began this year (2017) on Wednesday, April 5.

Oblique gray square against a lighter square ground
Kazimer Malevich, Suprematist Composition: White on White, 1918 (MoMA)

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On Chapman’s Homer’s Iliad, Book I

This post, originally of April 14, 2017, is the first of twenty-four, one on each book of Homer’s Iliad in Chapman’s translation.

A later series began on November 29, 2022. Again there was a post on each book of the Iliad, but now I was reading Murray’s translation in the Loeb Classical Library.

Achilles banefull wrath” is to be resounded by the Goddess, whom the poet invokes.

Strife between Achilles and Agamemnon is the story of the Iliad. It begins with Apollo, who has plagued the Greek army.

Homer denies no human responsibility. Apollo has plagued the army, because Agamemnon insists on keeping a man’s daughter as his slave. The woman’s father is a priest of Apollo called Chryses; we shall come to know the daughter’s name only as Chryseis. She has been taken in a Greek raid on her home town, which will be called Chrysa. We shall hear more about the raid later in Book I, when Achilles tells the story to his mother.

Thus Homer’s narrative is not sequential. In a technique that will become standard in literature, we start in medias res.

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Homer for the Civilian

The sources of this essay (originally posted April 8, 2017) are an earlier one, written as an email in 2009, and a conversation that ensued it, on the theme of what Homer may mean in one’s life, and whether an application to one’s life involves an abuse of the original text. I wrote on this blog, in July 2016, on analogies in Homer and elsewhere, in “Thinking & Feeling.” My last post considered an apparent instance of abuse of the Hebrew Bible.

At the end of the Iliad, to retrieve the body of Hector from its killer, King Priam of Troy visits Achilles in his tent in the evening, in the camp of the hostile Greeks. The scene may recall two political enemies from the 1980s, President Ronald Reagan and Congressman Thomas O’Neill, Speaker of the House: these two were able to be on friendly terms “after 6 PM.”

Homer, Iliad, Wordworth edition
Aleksandr Andreevich Ivanov
“King Priam begging Achilles for the Return of Hector’s Body,” 1824
Tretyakov Gallery, Moscow

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Victor Vasarely

Tophane-i Amire
Tophane-i Amire, 2017.03.25

Last week I wrote about the Turkish Impressionist Feyhaman Duran, born in 1886. Now my subject is the Hungarian-French Op Artist born twenty years later as Győző Vásárhelyi. His “Rétrospective en Turquie” is at the Tophane-i Amire Culture and Art Center in an Ottoman cannon foundry.

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