Category Archives: Poetry

On Homer’s Iliad Book VI

View from a height (with tree branch in upper right corner): on the ground below, a settlement; beyond it, a bend in a strait (the Bosphorus), the waters plied by a ship; beyond that, the two sides of the straight, opening to a sea (the Black Sea)
Kireçburnu, Sarıyer, Istanbul
Friday, December 30, 2022

On the last Wednesday of 2022, I first noted the existence of Andrew Tate. I was reading a blog post dated the previous day, December 27. The post was “Time Out,” by Neville Morley, who recalled,

there was a flurry last month when the loathsome Andrew Tate declared the pointlessness of all books and book-learning and was widely denounced on the Twitter.

Maybe I had noticed some of the flurry, while paying it little mind. Continue reading

On Homer’s Iliad Book V

Tangles of rebar from a building demolition sit, with a backhoe on top, on a narrow street paved with setts
Creative destruction
Arpa Suyu Sokağı, Şişli, Istanbul
Thursday, December 22, 2022

In Book V of the Iliad, the battlefield deaths that started in Book IV continue. Some of them are caused by Diomedes, who also stalks higher prey:

  • Giving him the power to recognize gods, Athena tells him to avoid all of them but Aphrodite, whom he then wounds.
  • When Athena gives him permission and encouragement to attack Ares, Diomedes wounds him too.

In echo of Achilles’s summoning of Thetis in Book I, the wounded gods go crying to their parents.

On Homer’s Iliad Book IV

Bosphorus and third bridge over it, seen from a height through trees beside a house
Kireçburnu, Sarıyer, Istanbul
November 30, 2022

Last time I mentioned what I had remembered most from the Iliad, after reading it in high school: the metaphor in Book VI of humans as leaves dying in the fall, to be replaced by new ones in the spring. I also remembered how often men died at the hands of their fellow men:

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On Homer’s Iliad Book III

Trunks of three mature trees on concrete wharf; strait beyond
Yeniköy (Νιχώρι) on the Bosphorus
Sarıyer, Istanbul, December 11, 2022
The Paphlagonians must have passed by here
on their way to join the Trojans
as they did according to Iliad II.851–5
as mentioned in the Wikipedia article “Cytorus
created by me in 2010

In Book III of the Iliad, we learn about Menelaus, Paris, Hector, Helen, and Priam. Having learned about Agamemnon, Achilles, and Patroclus in the first two books, now we know all of the players in the following summary of the epic.

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On Homer’s Iliad Book II

As I proposed last time, Achilles performs the greatest act in the Iliad by not killing Agamemnon in Book I. He then takes himself out of the action for a while. We are not going to see him again till Book IX, when he receives the embassy of Phoenix, Ajax, and Odysseus (chosen by Nestor in lines 168–9).

Benches and bare tree on wet concrete wharf by the Bosphorus under a cloudy sky
Kireçburnu, Sarıyer, Istanbul
Wednesday, November 30, 2022

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On Homer’s Iliad Book I

In Book I of the Iliad, Achilles restrains an impulse to run a sword through Agamemnon.

That may be the greatest act in the whole epic. I say so, having recently completed a reading of Njal’s Saga, which features a lot of impulsive killing. Now I am embarking on the Iliad again, a book at a time. Here I take up Book I, some comparisons with the saga, and some connections with Plato, Augustine, and Collingwood.

I wrote here about Homer’s epic, book by book, between April, 2017, and September, 2019. I was reading Chapman’s Elizabethan translation. In my account of Book I from then, there are details that do not otherwise stand out to me now, when

  • I am reading mainly Murray’s translation in the Loeb Classical Library, and
  • comparisons with Njal’s Saga are in mind.

Bench on concrete wharf, looking out across a bay to the hills beyond; coast guard vessel in view
Sarıyer, Istanbul (European side)
Loeb Iliad, volume I
November 25, 2022

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Sacrifice and Simulation

Executive summary. An experiment has been performed to detect whether we are living in a simulation. The experiment is to tell Abraham to sacrifice his son. Whatever he does, he breaks a law. Thus there is more to the world than can be understood by natural science.

Beach, sparkling sea, mountains, clouds, sky
Altınova, Ayvalık, Balıkesir, Türkiye
Looking towards Lesbos, Greece
September 20, 2022

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Creativity

In the Platonic dialogues, Socrates frequently mentions τέχνη (technê), which is art in the archaic sense: skill or craft. The concern of this post is how one develops a skill, and what it means to have one in the first place.

Books quoted or mentioned in the text, by Midgley, Simone Weil, Thoreau, Amy Mandelker (on Tolstoy), Oliver Byrne (on Euclid), Wittgenstein, Arendt, and Caroline Alexander (on Homer)

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On Plato’s Republic, 14

Index to this series

In the tenth and final book of Plato’s Republic (Stephanus 595–621), with the help of Glaucon, Socrates does three things:

  1. Confirm and strengthen the ban on imitative poetry carried out in Book III.
  2. Prove the immortality of the soul.
  3. Tell the Myth of Er about how best to make use of that immortality.

Engraving of head and torso of man at sea. Bearded, he holds a bunch of plants to his right jaw as he looks over his left shoulder towards a net on land. A sort of fish tail is behind him or part of him
Bernard Picart
Glaucus Turned into a Sea-God, 1731
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Figs

This is about figs, because the opening of “The Sixth Elegy” of the Duino Elegies of Rainer Maria Rilke is about them, and I turn out to live among them.

Fig trees growing like weeds on Ayşecik Sokağı
Fulya, Şişli
November 15, 2021

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